Dear Mat Larkin and the team at SCOTLAND: The Big Picture,

I’m applying for the Visual Content Creator role—full-time or part-time. Working as a photographer and videographer, capturing the wild and telling meaningful stories across Scotland and beyond, has been a lifelong dream.

From the day my father gave me an Olympus OM-2 at the age of ten to carrying an iPhone with RAW capabilities today, I’ve almost always had a camera in my hand. Early on, I taught outdoor pursuits in Jackson Hole, the Adirondacks and along Scotland’s West Coast, drawn to documenting untamed places. Later on, and particularly around the water, from the Solent to offshore passages, deepened my connection to working landscapes and the communities that rely on them.

I’m largely self-taught, learning through trial, error, and curiosity. My influences range from Henri Cartier‑Bresson and Ansel Adams to conservation leaders Cristina Mittermeier and Paul Nicklen, with additional inspiration from fellow Scot David Yarrow.

I can produce short-format films for social and web, taking ideas from outline to delivery. In the field, I can work with a camera as a host/presenter, accompanied by a small crew, delivering stand-ups, links, and explainers that cut cleanly for Reels/Shorts. I’m comfortable interviewing contributors on camera (including remote conversations via my podcast) and capturing clean location audio with lavaliere (Lav) or shotgun mics, along with wind protection. I edit in Final Cut Pro and handle stills/design in Adobe Creative Cloud (Lightroom, Photoshop, Illustrator, InDesign). Assets are catalogued with clear naming and mirrored across external drives.

During the COVID pandemic, my wife and I moved from London to Loch Ard, where I helped my mother, a potter, sell her work through photo and film. In 2021, with our newborn daughter, we settled further north at Boath (near Auldearn/Nairn). Since then, I’ve focused on raising our daughter, reconnecting with the landscapes that ground me, and using content to support our small off-grid Airbnb, Boath Cabin.

As an old Gordonstoun boy and former outdoor instructor, I’m at home in the elements on the water and in the hills, whether in the mountains during winter or summer, or on the water or coast.  That background means I’m calm, safety-minded and methodical in remote places: navigating, assessing risk, and working efficiently with a small team. I’m comfortable with pre-dawn starts, foul weather, and long, static spells waiting for the light or wildlife to cooperate. Overnights in the field, whether in a bivvy, bothy, or tent, are routine, and I bring the patience and fieldcraft to protect my kit, manage batteries, and stay quiet in the wet and cold, all while still coming home with the shot.

Although my focus today is on Scotland’s land and seascapes, my roots lie in shipping, an often‑overlooked industry that quietly underpins global life. In 2013, a medical condition forced me to leave a life at sea; I relocated to the City of London, where I audited maritime security companies to risk-based standards before founding a company in collaboration with Garmin and Oracle. That experience sharpened my eye for accountability and impact: shipping accounts for 95% of world trade and contributes significantly to global emissions. While the International Maritime Organisation is advancing change, progress accelerates when rigorous evidence meets hopeful, human storytelling. I’m inspired by Anders Holch Povlsen’s Wildland project as proof that vision, capital and narrative can rewild both land and sea, and I want to bring that same intersection of commerce, conservation and visual storytelling to your work in the spirit of Mittermeier, Nicklen and Yarrow.

I’m Scotland-based, field-ready for pre-dawn starts, long days on foot and all-weather shoots. I have the legal right to work in the UK, a full UK driving licence, and a Land Rover, providing reliable access to remote locations in poor weather conditions. I am a CAA-registered drone operator (registration valid to September 2026) and am researching, looking towards the A2 CofC; operator ID available on request.

I would relish the opportunity to contribute to SCOTLAND: The Big Picture, supporting short‑form outputs, collaborating on longer pieces, and helping your team bring Scotland’s rewilding stories to wider audiences.

 

Warm regards,

Andrew Cowderoy

Please see below for examples of my work.

Please click here for my CV 

 

Introduction

I have a lifelong passion for photography and, in recent years, videography; skills I’ve applied to marketing my own business and property, as well as environmental projects. From my early days with film cameras through to my current Sony, I’ve captured stills, video, and audio across the world, at sea while working in shipping, on land with Wild Things (an environmental education charity), and during expeditions through Tanzania, Kruger, Botswana, Malawi, and Ghana.

With a background as an outdoor instructor in skiing, sailing, canoeing and kayaking, and as an Old Gordonstoun student, I am confident working independently in remote, challenging environments and in all weather conditions. I work comfortably across stills, video, and post-production, with strong skills in Adobe Creative Suite and Final Cut Pro, producing professional content for both marketing and storytelling.

Filmed under the UK Drone and Model Aircraft Code by a CAA‑registered operator. I use aerials sparingly—to reveal context, scale, and habitat change—then build the story from the ground up. I prioritise safety, wind management and wildlife welfare, and I’m investigating working towards my A2 CofC to expand permissions for conservation storytelling across the Highlands.


Background

With a career rooted in maritime heritage and a lifelong passion for visual storytelling, I bring a unique blend of resilience, adaptability, and creativity to content creation. My professional journey has taken me from working at sea in the global shipping industry to leading international projects in conservation, wellness, and communications. Along the way, I have consistently used photography, videography, and storytelling to engage audiences and highlight the relationship between people and the natural world.

I have produced short-format films and social media reels for Wild Things, an environmental education charity, blending original and stock footage to communicate their mission. My camera work has travelled with me across the globe, from Tanzania and Botswana to Malawi and Ghana, capturing wildlife, landscapes, and human stories in challenging, often remote environments.

As a former outdoor instructor in skiing, sailing, canoeing, and kayaking, and as an Old Gordonstoun boy, I am entirely at ease working in mountainous, coastal, and wild landscapes, regardless of weather. This complements my ability to work independently in the field, capturing high-quality visuals and audio while also managing the logistics and creative direction of each shoot.

For post-production, I work confidently across the Adobe Creative Suite and Final Cut Pro, editing video, audio, and stills to professional standards. My wider career spanning maritime consultancy, wellness initiatives, and international project management has honed my ability to conceptualise and deliver content that inspires, informs, and connects.

Africa

This short film is a glimpse from a personal journey through Tanzania with my wife, filmed across Tarangire National Park, the Serengeti, and Mahale Mountains National Park. Shot on the move and in the field, it weaves together quiet dawns, wide savannahs and forested moments to share the sense of scale and stillness that drew us there, a small sample of how I work: patient, respectful, and attentive to light, weather and wildlife.

 

Shortform for Social Media

In 2021, after completing Woodland Adventure Leader Training, a unique alternative to Forest School, professionally recognised by the General Teaching Council for Scotland and endorsed by Education Scotland, I volunteered with Wild Things, a charity dedicated to environmental education. As part of my role, I produced short-format social media reels showcasing their work in the field and bringing their conservation activities to life for a wider audience.

 

Blended Stock & Self-Shot

In this project, I combined both original footage that I filmed myself with licensed stock video (sourced by myself and a partner). I blended the two seamlessly in the edit to create engaging short-form content optimised for multiple uses, including social media reels. This demonstrates my ability to conceptualise, film, and edit while integrating original and stock footage effectively for storytelling and marketing purposes.

I have hosted and produced remote, on‑camera interviews, including The World Maritime Initiative Podcast. My focus is rapport and clarity: simple prompts, clean audio, and space for authentic answers. I can self‑shoot “to‑camera” pieces, guide contributors who are new to filming, and capture supplementary b‑roll to complete the story.

My on‑screen work is host/presenter-led and filmed with a crew. I plan bullet-point scripts from the brief, then deliver stand-ups, links, and explainers on location—coast, forest edge, or upland bog—while collaborating closely with the producer, camera, and sound. I’m comfortable hitting marks, managing timings, repeating lines for pickups, and adapting to wind, rain and low‑light. The goal is clarity and connection: a confident, grounded delivery that serves conservation stories and short‑form social cuts. Where appropriate, I credit the production team; full crew details available on request